Freedom Revolution Workshop with Marina Grechanik

Freedom Revolution Workshop, Marina Grechanik, workshop, Lisbon, Lisboa, sketching, Urban Sketchers, Urban Sketchers Portugal, 25 de abril, Largo do Carmo

This saturday, we had the privilege of having Marina Grechanik from Tel Aviv, in Lisboa, for a Freedom Revolution Workshop. The motto was to sketch the revolution by telling the story of its heroes: the people. We used her favored materials and techniques, and I was deep outside my comfort zone, except in the first warmup sketch.

Freedom Revolution Workshop, Marina Grechanik, workshop, Lisbon, Lisboa, sketching, Urban Sketchers, Urban Sketchers Portugal, 25 de abril, Largo do Carmo, expressions

The first challenge was to capture emotions in people’s faces, with a quick gesture, with line or with a combination of wash and line. The sketches with less detail seem to be the most successful in conveying the basic emotions people were showing. Can you spot the instructor?

Freedom Revolution Workshop, Marina Grechanik, workshop, Lisbon, Lisboa, sketching, Urban Sketchers, Urban Sketchers Portugal, 25 de abril, Rossio, postures

We came down to Rossio train station, because of the rain, for the next challenge: to sketch action. To capture basic stances and gestures, body postures of people doing small actions, with line or with a color wash. Near the end of the challenge, I sat next to Paula Cabral, who was kind enough to let me use her ecoline-filled waterbrush – a very efficient tool! And works marvels in combination with the colored pencil and Paula’s wax crayons.

Freedom Revolution Workshop, Marina Grechanik, workshop, Lisbon, Lisboa, sketching, Urban Sketchers, Urban Sketchers Portugal, 25 de abril, lunch, lottery

During lunch, I sketched a panorama of our table, and to avoid further conflicts or complications, the portrayed ladies made a lottery to decide who would keep the sketch. Teresa, the winner, portrayed on the far right side of the sketch, was happy.

Freedom Revolution Workshop, Marina Grechanik, workshop, Lisbon, Lisboa, sketching, Urban Sketchers, Urban Sketchers Portugal, 25 de abril, Terreiro do Paço

The afternoon challenge was longer in time. We took over the Terreiro do Paço, the administrative plaza of the capital, turned tourist attraction in the latest years, and more populated that day especially because it was one of the major sites of the actions that led to the ’74 revolution. The site is naturally charged with a political energy and, as Walter Rossa put it in a conference I attended recently, “it is meant to be inhospitable”. Will all the tourist and leisure life that exists here now soon come to an end? Wouldn’t we want it to come to an end?

Freedom Revolution Workshop, Marina Grechanik, workshop, Lisbon, Lisboa, sketching, Urban Sketchers, Urban Sketchers Portugal, 25 de abril, Terreiro do Paço

The challenge was divided into two parts. Number one: to sketch a story of a single place, using only a line tool, gathering information about the actions, the characters and the interactions that happen in that particular spot. Number two: same as number one, but with washes and colors.

Freedom Revolution Workshop, Marina Grechanik, workshop, Lisbon, Lisboa, sketching, Urban Sketchers, Urban Sketchers Portugal, 25 de abril, Terreiro do Paço, music

The stories I captured in line weren’t so successful, so I hurried to get to do some more washes. My education in washes began in the Lisbon Urban Sketchers Symposium in 2011, in Cathy Gatland and Isabel Fiadeiro‘s Urban portraits. Now with Marina, this technique awoke from the ashes and, hopefully, is in me to stay.

Freedom Revolution Workshop, Marina Grechanik, workshop, Lisbon, Lisboa, sketching, Urban Sketchers, Urban Sketchers Portugal, 25 de abril, Terreiro do Paço, music

The musicians in the previous story were performing under the archways of the Terreiro, surrounded by some Banco de Partilha Social and around a couple hundreds of school kids going about their diverse kid’s businesses. Somewhere along the way, one of the girls borrowed a guitar and a high school band immediately and spontaneously formed and performed three songs with enough vigor and power to attract a small mob.

Freedom Revolution Workshop, Marina Grechanik, workshop, Lisbon, Lisboa, sketching, Urban Sketchers, Urban Sketchers Portugal, 25 de abril, skateboard, Terreiro do Paço

Some skaters improvised an obstacle from a sunshade support. Soon afterwards, the light drizzle had turned to a more proper rain. We took shelter under the archways, Marina wrapped up the workshop and we moved along the Baixa to drink some tea and some moscatel, to warm up our bodies and lift up our spirits.

Freedom Revolution Workshop, Marina Grechanik, workshop, Lisbon, Lisboa, sketching, Urban Sketchers, Urban Sketchers Portugal, 25 de abril, tea, moscatel, Baixa

Rule of thirds

Nelson Paciência, Urban Sketchers Portugal, sketching, workshop, sketching workshop, Casa-Museu Vieira da Silva, Lisboa, Amoreiras

The Casa-Museu Vieira da Silva (Historic House Museum of artist Vieira da Silva) has a year-long program of sketching workshops, held on saturdays every two weeks, in cooperation with several members of Urban Sketchers Portugal (myself included). The themes are quite diverse so, even if you’re an experienced sketcher, there’s something for you.

Nelson Paciência, Urban Sketchers Portugal, sketching, workshop, sketching workshop, Casa-Museu Vieira da Silva, Lisboa, Amoreiras, Vicente

I decided to attend Nelson Paciência‘s workshop a few days ago, titled “How much stuff fits in my sketchbook”. Fitting title for a sketcher who skillfully cramps stuff in the small canvas of his sketchbook.

Nelson Paciência, Urban Sketchers Portugal, sketching, workshop, sketching workshop, Casa-Museu Vieira da Silva, Lisboa, Amoreiras, Vicente

He showed us how to use this cramping style, and suggested several techniques to help us in the process. One is to deform the subject to the canvas. Another one is to turn the head and look at more than just the view in front of you. Another yet is to keep out the stuff you don’t want to sketch, so that you get more free space for the stuff that matters. Here he is, stating that he “likes to squish heads”. Game of Thrones style?

Nelson Paciência, Urban Sketchers Portugal, sketching, workshop, sketching workshop, Casa-Museu Vieira da Silva, Lisboa, Amoreiras

He then proceeded to teach us how to use the famed photographers rule of thirds to our advantage. A simple layout device that allows us to direct the focus of the viewer to what we want to give focus to. And this is when we – the students – sprung into action. We had to make a few sketches based on the rule of thirds, with different focuses, foregrounds and backgrounds, etc.

Nelson Paciência, Urban Sketchers Portugal, sketching, workshop, sketching workshop, Casa-Museu Vieira da Silva, Lisboa, Amoreiras

It was a pleasant morning to learn and practice something new. Quite challenging also! On my way home, this Fiat 126 was waiting for me to sketch it.

Fiat, Fiat 126, Amoreiras, Lisboa, vintage cars

Sketching workshops at LUCSUS

In the last two weeks, with great help from Kim Nicholas, I’ve been guiding a sketching workshop at LUCSUS – Lund University Centre for Sustainability Studies, exclusively for the sustainability master programme students. The idea is a simple one, and Kim loved it from the start: to show young people with no direct academic connection with arts that they can learn how to draw!

LUCSUS sketching workshop

We held two workshops already and everybody seems to be responding well. The two hours spent focusing on blind drawing exercises turn out to be quite fun and relaxed. All but a couple of all the students don’t sketch regularly, so we were breaking new ground there! After a while the concentration levels go up and from then on the sketching quality improves exponentially. My hopes for these classes is that most of these guys get the notion that starting to sketch is as easy as looking at any given object, and that sketching is indeed seeing reality as it is!

In the end, we did a fun exercise which was suggested by sketcher João Catarino – a frankenstein-making marathon! We faced each other in pairs and had one minute for a blind line portrait which should remain unfinished. When the time was up, everybody would switch partners and continue the portrait with a new face. Some of the results were remarkably recognizable! Here’s my contribution. It’s a frankenstein-portrait of an actual couple that just happened to get merged in my sketchbook. Thanks Theo and Ann.

LUCSUS sketching workshop

Portraits at Martas #3

The last workshop was attended by Teresa – co-founder of local project Fruktsam – and Daniel. Both were really enthusiastic with the blind sketching exercises and in about one hour and four drawings later, their concentration was paying off. Results were showing and they were realizing that drawing has a lot to do with careful observing and that it is within reach. Thus was the mythical wall of talent cracked.

Teresa and Daniel

This was my blind portrait of them, while they concentrated on each other.

Portraits at Martas #2

Heidi and Amelie

The time spent at the workshops at Marta’s were peppered with visits from friends and family. Amelie and Heidi gladly took pens and pencils and started producing art – no directions required!

Patrick and Liam

 

Later, Patrick, Melissa and Liam popped up for fika. Melissa gave it a shot at some blind drawing exercises and was cursing me soon enough. It’s a tough one for starters! That reminds me: I should revise my drawing teaching program one of these days.

Melissa, Patricia and Liam

I had a blind drawing go at her also.